Auction: 31st October 2023
Preview: 27.-29. October 2023
Once again Van Ham surprises with an extraordinary special sale: on 31 October 2023 the Cologne auction house will be offering the entire series of 270 works which were editioned by the international Swiss art magazine Parkett between 1984 and 2017. This sale represents the very first auction of all Parkett editions on the international market. For those interested in art this is a unique opportunity to acquire works by the most important contemporary artists, with estimated prices ranging from 200 to 500,000 euros. The museum quality of the legendary Parkett editions has already been recognised at exhibition venues of international renown, such as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the 21st Century Museum of Contemporary Art in Kanazawa, Japan.
Parkett published a total of 270 artist portraits consisting of three to five texts each by respected authors. Every one of the participating artists was actively involved in the design of the publication – from the selection of the images to the page layout – and in addition created an artwork in the form of an edition. The results were prints, sculptures, installations, media works, paintings and drawings. The list of the 234 artists in total (some of whom are represented several times) reads like a Who’s Who of contemporary art: they range from Mark Bradford, Elizabeth Peyton, Rashid Johnson, Julie Mehretu and Francis Alÿs to Katharina Fritsch, Damien Hirst, Marlene Dumas and Anish Kapoor, and through to Louise Bourgeois, Yayoi Kusama and Gerhard Richter, to name just a few.
LOT 71:
Peter Fischli and David Weiss
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Peter Fischli und David Weiss: Record (für Parkett 17)
FISCHLI AND DAVID WEISS, PETER
1952 ZURICH / 1946 - 2012 ZURICH
Title: Record (for Parkett 17).
Date: 1988.
Technique: Record and acrylic.
Ø 30cm.
Notation: Signed and numbered.
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 5/120.
Condition:
The work is in very good condition.
"In appearance, the work of Fischli/Weiss is ironic and humorous; oscillating between game and joke, it seems to mock the seriousness of art. The artists' combinations of things and objects, figures and actions, whether in balance or in movement, tend to restore the value of wit and playfulness to creative commitment, but their goal is to contest the claim to truth, to contest the absolutism of the art process, repudiating cleverness and replacing it with inept intentions. or removing its core. or even collapsing it."
Germano Celant, Parkett no. 17, 1988.
With Parkett magazine.
Article on the work and artist from Parkett edition no. 17.
Explanations to the Catalogue

