Auction: 31st October 2023
Preview: 27.-29. October 2023
Once again Van Ham surprises with an extraordinary special sale: on 31 October 2023 the Cologne auction house will be offering the entire series of 270 works which were editioned by the international Swiss art magazine Parkett between 1984 and 2017. This sale represents the very first auction of all Parkett editions on the international market. For those interested in art this is a unique opportunity to acquire works by the most important contemporary artists, with estimated prices ranging from 200 to 500,000 euros. The museum quality of the legendary Parkett editions has already been recognised at exhibition venues of international renown, such as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the 21st Century Museum of Contemporary Art in Kanazawa, Japan.
Parkett published a total of 270 artist portraits consisting of three to five texts each by respected authors. Every one of the participating artists was actively involved in the design of the publication – from the selection of the images to the page layout – and in addition created an artwork in the form of an edition. The results were prints, sculptures, installations, media works, paintings and drawings. The list of the 234 artists in total (some of whom are represented several times) reads like a Who’s Who of contemporary art: they range from Mark Bradford, Elizabeth Peyton, Rashid Johnson, Julie Mehretu and Francis Alÿs to Katharina Fritsch, Damien Hirst, Marlene Dumas and Anish Kapoor, and through to Louise Bourgeois, Yayoi Kusama and Gerhard Richter, to name just a few.
LOT 96:
Katharina Grosse
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Katharina Grosse: Rock (für Parkett 74)
GROSSE, KATHARINA
1961 FREIBURG I.BR.
Title: Rock (for Parkett 74).
Date: 2005.
Technique: Acrylic on Carrara-Marmor.
Measurement: 17 x 17 x 22cm.
Notation: Signed and numbered on enclosed certificate.
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 1/55.
Condition:
The multiple is in very good condition.
Each copy of the edition is unique.
With enclosed certificate. With Parkett magazine.
"Within my compositions, the colors have the function of distinguishing between different movements. I like working with a certain palette, one that is usually very raw and very cold. It's extremely artificial, like Pontormo's, for example. Then, within this spectrum, there are some colors that develop certain characteristics. A particular red, when it meets up with blue, doesn't become purple but rather brown. I like this ambivalence that makes colors surrender their identity and yet still show signs of their origins."
Katharina Grosse interview with Hans Ulrich Obrist, Parkett no. 74, 2005.
Article on the work and artist from Parkett edition no. 74.
Explanations to the Catalogue

